Faery Realm of Goddess Morrigan Le Fey Empowerment

This Empowerment created by founder Linda Colibert connects you to Triple Goddess Morrigan Le Fey, the virgin aspect of the Triple Goddess Morrigan and to the faery realm for empowerment. Morrigan Le Fey is a Goddess of the Faery Realm, let Morrigan guide you between the worlds and into the land of Fey. She and the Faeries will help you with healing, intuition, fertility, and joy.

Morrigan Le Fey is often surrounded by both faeries and animals, especially ravens, who act as sentinels that warn of danger, and wolves, which offer protection. She is a protector of the innocent and those who are unable to fend for themselves. Morrigan Le Fey is a strong and powerful Goddess of magick.

You will receive 1 distant Empowerment given in either real time or chi ball/call in, 1 6 page official manual and certificate with lineage, manual and certificate will be sent to you by email.

The founder has set fee for this system at $15.00 dollars.

Some more information about the Goddess Morrigan from Danielle Ni Dhighe

Copyright © 1996, 1997 Danielle Ní Dhighe
All Rights Reserved - May be reposted as long as the above attribution and copyright notice are retained

The Morrígan is a goddess of battle, strife, and fertility. Her name translates as 'Phantom Queen,' which is entirely appropriate for Her. The Morrígan appears as both a single goddess and a trio of goddesses, which includes the Badb 'Vulture' and Nemain 'Frenzy'. The Morrígan frequently appears in the ornithological guise of a hooded crow. She is one of the Tuatha De Danann (People of the Goddess Danu) and She helped defeat the Firbolgs at the First Battle of Magh Tuireadh and the Fomorii at the Second Battle of Mag Tured.

By some accounts, She is the consort of the Dagda, while the Badb and Nemain are sometimes listed as consorts of Néit, an obscure war god who is possibly Nuada the Sky Father in His warrior aspect. It is interesting to note that another battle goddess, Macha, is also associated with Nuada.

ORIGINS

The origins of the Morrígan seem to reach directly back to the megalithic cult of the Mothers. The Mothers (Matrones, Idises, Dísir, etc.) usually appeared as triple goddesses and their cult was expressed through both battle ecstasy and regenerative ecstasy. Later Celtic goddesses of sovereignty, such as the trio of Éire, Banba, and Fótla, also use magic in warfare. "Influence in the sphere of warfare, but by means of magic and incantation rather than through physical strength, is common to these beings." (Ross 205)

Éire, a goddess connected to the land in a fashion reminiscent of the Mothers, could appear as a beautiful woman or as a crow, as could the Morrígan. The Dí;sir appeared in similar guises. In addition to being battle goddesses, they are significantly associated with fate as well as birth in many cases, along with appearing before a death or to escort the deceased. It is interesting to note that some sources present Éire and the Morrígan as half-sisters.

There is certainly evidence that the concept of a raven goddess of battle wasn't limited to the Irish Celts. An inscription found in France invoking Cathubodva, 'Battle Raven', shows that a similar concept was known among the Gaulish Celts.

SIMILARITIES BETWEEN THE MORRÍGAN AND THE VALKYRIES

The Morrígan's role in the Irish cosmology is quite similar to the role played by the Valkyries in Norse cosmology. Both use magic to cast fetters on warriors and choose who will die.

During the Second Battle, the Morrígan "said she would go and destroy Indech son of Dé Domnann and 'deprive him of the blood of his heart and the kidneys of his valor', and she gave two handfuls of that blood to the hosts. When Indech later appeared in the battle, he was already doomed." (Rees 36)

Compare this to the Washer at the Ford, another guise of the Morrígan. The Washer is usually to be found washing the clothes of men about to die in battle. In effect, She is choosing who will die.

An early German spell found in Merseburg mentions the Indisi, who decided the fortunes of war and the fates of warriors. The Scandinavian Song of the Spear, quoted in Njals Saga, gives a detailed description of Valkyries as women weaving on a grisly loom, with severed heads for weights, arrows for shuttles, and entrails for the warp. As they worked, they exulted at the loss of life that would take place. "All is sinister now to see, a cloud of blood moves over the sky, the air is red with the blood of men, and the battle women chant their song." (Davidson 94)

An Old English poem, Exodus, refers to ravens as choosers of the slain. There are links between ravens, choosing of the slain, casting fetters, and female beings in many sources.

"As the Norse and English sources show them to us, the walkurjas are figures of awe and even terror, who delight in the deaths of men. As battlefield scavengers, they are very close to the ravens, who are described as waelceasega, 'picking over the dead'..." (Our Troth)

"The function of the goddess [the Morrígan] here, it may be noted, is not to attack the hero [Cúchulainn] with weapons but to render him helpless at a crucial point in the battle, like the valkyries who cast 'fetters' upon warriors...thus both in Irish and Scandinavian literature we have a conception of female beings associated with battle, both fierce and erotic." (Davidson 97, 100)

The information on this page is not intended as medical information, if you are currently recieving treatment you should continue to do so.

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